Affichage de 492 résultats

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Paul Chartrand fonds

  • CA UMASC MSS 470 (A.15-140)
  • Fonds
  • 1984-2012

The Paul Chartrand fonds consists of daily journals kept by Chartrand between 1984 and 2012, material relating to Chartrand's participation in the Aboriginal Justice Implementation Commission (AJIC), the Royal Commission on Aboriginal Peoples (RCAP), the Working Group on the UN Draft Declaration on the Rights of Indigenous Peoples (WGDD, DRIP), and the Organization of American States (OAS). It also contains reference material used by Chartrand, including legal decisions, grey literature, student papers, and other supporting documents.

Sans titre

June Dutka fonds

  • CA UMASC MSS 392, PC 337 (A12-119)
  • Fonds
  • 1932 - 2012

The fonds consists of records relating to Dutka’s career at the University of Manitoba Libraries, her publications, records relating to her community involvement, records she collected about community members (including obituaries of University of Manitoba staff and faculty and their families), records about Patty and Anton Kirk, cultural and community event brochures, and various outside publications.

The fonds also consists of photographs documenting the 2 Millionth Volume event at the University of Manitoba Libraries and the interior of St. Mary's Ukrainian Catholic Church in Yorkton, Saskatchewan, taken by Ms. Dutka as part of her submission to CBC's "Seven Wonders of Canada" contest.

The fonds contains two oversize items: a calendar and a commemorative plaque.

Sans titre

Sarah Klassen fonds

  • CA UMASC Mss 369, Pc 322, Tc 165 (A.12-78)
  • Fonds
  • 1958-2012

This fonds consists of drafts of and correspondence relating to Sarah Klassen's poetry, short stories, and literary reviews, including material written as a student. Tearsheets of her published work are included. Additionally, copies of Sophia magazine, of which Klassen was editor from 1992-1995, are included in this fonds, as are copies of other periodicals and newsletters for which she wrote. Material relating to two musical works based on Klassen's poetry is included in the collection.

Sans titre

Nick Ternette fonds

  • CA UMASC MSS 26, PC 316 (A79-23, A92-16, A09-90, A12-137, A13-108)
  • Fonds
  • 1952 - 2012

The first two accessions (A79-23, A92-16) contain limited correspondence, political action papers, briefs, complaints, convention proceedings, promotional and conference literature, scrapbooks, news-clippings, and resource files concerning Winnipeg city core activities and radical, left-wing politics of the 1970s and 1980s.

Accessions A09-90 and A12-137 consist of 22 series. They include: biographical information and awards; education; Calgary Landlord and Tenant Advisory Board; employment; City Magazine; articles and letters to the editor; committees and organizations; CSIS; May Day; protests, marches and demonstrations; conferences; political campaigns; Manitoba Green Party; New Democratic Party; broadcasting; Winnipeg politics; social events; correspondence; research news-clippings; other research material; restricted material; and photographs.

A13-108 comprises the Shirley Kowalchuk sous-fonds and is made up of scrapbooks of newspaper clippings, two publications with features on Nick Ternette, an advocacy manual from Legal Aid Manitoba, and an essay by Shirley Kowalchuk regarding this group of records.

Sans titre

Ukrainian Professional and Business Club of Winnipeg

  • CA UMASC MSS 403
  • Fonds
  • 1983 - 2012

This fonds consists of the Ukrainian Professional and Business Club's reports, rosters, bulletin, correspondence and miscellaneous projects and publications.

Sans titre

Alexander Imich fonds

  • CA UMASC MSS 389, PC 342 (A12-10)
  • Fonds
  • [1932?]-2012

The fonds consists of twelve series. The first, biographical, consists of miscellaneous personal papers that Imich has collected over the years, papers and writings of his wife, Wela, and personal journals dating back to 1946. In addition to this, the series contains articles written about Imich, some concerning his role as parapsychologist, others concerning his longevity. The next series, writings, consists of Imich's written articles and publications and all the material related to them including correspondence and abstracts. The writings range in date primarily from 1985-2002, but with some earlier pieces from 1958 and the early 1930s. The chief work in this collection is Incredible Tales of the Paranormal, a compilation of essays edited by Imich. The series contains various copies of the essays in this compendium, even though they were not written by Imich, as it showcases the editing process.

The third series consists of various essay contests that Imich judged between 1992 and 1995, sponsored by various parapsychological organizations. The fourth series, collected typescripts and articles, consist of articles and typescripts that Imich had collected over the years, including works by Rhea White and Larissa Vilenskaya. The fifth series is a group of subject files which vary from astrology to lost treasure buried in Haiti. The sixth series, lectures and conferences, consists of information relating to the various conferences Imich has attended in his life, primarily in the early and mid-1990s, but some as far back as 1970 and 1949. The seventh series, organization publications, consists of a large collection of publications by various parapsychology organizations between 1958 and 2009. The series contains the publications themselves along with any material Imich had grouped with them, be it correspondence, notes or otherwise.

The eighth series, correspondence, consists of the many letters and emails which Imich has kept from 1949-2011. The correspondence are primarily between Imich and his contemporaries in the world of parapsychology, many of whom are also personal friends. Imich filed his correspondence using three different methods. The first method organizes the correspondence by name, each file correlating to a specific person or organization. This method was primarily used for robust and lengthy correspondence. The second method again organizes by name, but each file corresponds to a letter of the alphabet rather than a specific person; thus all A’s are grouped together in one file, as are all B’s, etc. These are primarily smaller correspondence. Finally, the third method of correspondence filing is by subject. In this category, related correspondence were bound in binders and each binder was assigned a title. The majority of these correspondence are from the 1980s or earlier. Though many binders required two or more file folders to contain their contents, they are treated intellectually as a single file.

The ninth series contains various records from the IM School of Healing Arts in New York, which Imich attended from 1997-1999. The tenth series contains books which Imich has collected from 1937 to 1995, many of which have inscriptions. The eleventh series contains various pieces of silverware which were bent by Joe A. Nuzum. Finally, the 13th series contains various VHS tapes that Imich had collected, consisting primarily of demonstrations and experiments by Joe A. Nuzum and taped copies of the television show "The Otherside".

Sans titre

Eva Stubbs fonds

  • CA UMASC Mss 370, Pc 325, El 68 (A.12-80, A.13-75)
  • Fonds
  • 1955-2012

This fonds contains material relating to Stubbs's experience as a high-school art teacher in Montréal; correspondence with friends and family members; information regarding Stubbs's and other artists' art exhibitions; research material consulted by Stubbs while working; material related to Stubbs's work on various municipal arts committees; and photographs, slides, negatives, and transparencies of Stubbs, her family, her assistants, and her artwork.

The 2012 accession (A.12-80) is divided into 13 series: biographical material; education; family; teaching; correspondence; research material; artwork, installations, and exhibitions; commissions; publicity and publications; grants; committees and councils, other artists, and restricted material.

The 2013 accession (A.13-75) is divided into 10 series: biographical material; family; teaching; correspondence; artwork, auctions, instillations and exhibits; publicity and publications; committees and councils; other artists; (EL 68) a floppy disk; (PC 325) 240 photos and slides.

Sans titre

Joan Thomas fonds

  • CA UMASC Mss 363, Pc 319, Tc 163, El 34 (A.12-64)
  • Fonds
  • 1971-2012, predominant 2000-2011

This fonds consists of research for and drafts of Thomas's long- and short-form fiction work, as well as copies of her published work. Correspondence with editors, friends, and fans is also included, as are records and information from Thomas's visits to academic conferences and the Banff Centre for the Arts. As well, a digital copy of material found on Thomas's website is included.

Sans titre

Sheila Butler fonds

  • CA UMASC MSS 493 (A15-42)
  • Fonds
  • 1971 - 2012

The fonds consists of 12 series: Wrings (General), Publications (Articles), Expenses (Personal and A+CC), Art Exhibitions and Gallery Correspondence, Art Gallery Pamphlets, Inuit Art, Baker Lake Soapstone, Baker Lake Inuit Art, Grant Applications, Art and Cold Cash Website, Photographs and Images, and Audio Recordings.

The Sheila Butler fonds contains archival materials documenting the process and the presentation of the Art and Cold Cash (A+CC) exhibit. A+CC was created in Baker Lake, Nunavut by three senior Canadian artists, Sheila Butler, Jack Butler, and Patrick Mahon, and included Inuit writer Ruby Arngna’naaq, and artist William Noah. A+CC was designed as an event to display art that is concurrent with the capitalist market. By combining art from the Southern and Northern parts of Canada, the project combined contemporary art, Inuit culture/art, and discourses surrounding money. A+CC was showcased in art galleries across Canada, Arctic settlements, the University of Edinburgh, and the Toronto Pearson InternationalAirport in order to reach out to viewers who might not normally visit art galleries.

The archival materials on the Baker Lake consists of documents produced by David Orlikow, M.P. from Winnipeg North, who presented to the House of Commons his overview of an early dispute over the availability of soapstone in the Baker Lake area.

Sans titre

Cliff Eyland fonds

  • CA UMASC MSS 402 (A14-137)
  • Fonds
  • 1966-2011

This collection covers the life, work, and art of Cliff Eyland. It consists of Eyland's working files, sketchbooks, art projects, and materials collected form other artists and creators. The materials span from 1966 to 2014, and include 240 slides, hundreds of photographs, and thousands of individual drawings and other art pieces. There are also electronic records, mainly comprised of digital images of artwork, audio recordings, and video recordings.

Sans titre

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