The fonds consists of Naomi Hersom's speech entitled "The Paradox and Privilege of Being a Professional."

The fonds consists of letters by Joseph Higham to his parents from 1914 to 1919 while he was in France as a member of the University of Manitoba Machine Gun Battalion, and later the Canadian Mounted Rifles.

The fonds consists of Cloakmakers' Union (International Ladies' Garment Workers' Union) correspondence and announcements, material related to the Ukrainian Mutual Benefit Association of St. Nicholas and St. Peter, a program of the First Ukrainian Canadian Congress (1943), various programs of Ukrainian cultural events (1939), and a photograph collection.

The fonds consists of three parts: a manuscript collection, a photograph collection, and a tape collection. The manuscripts include correspondence, radio and television programme proposals, published articles, manuscripts and a personal file. The photograph collection features photographs from Cyprus, Egypt, rural Manitoba, Arctic Canada, Greenland and Germany. The tape collection consists of over 500 recorded interviews Holting conducted between 1957 and 1987. A major focus of his interviews is with the natives of Northern Manitoba and the Canadian Inuit. Also included are interviews with several Manitoba politicians and business people.

The fonds consists of a photocopy of a letter of condolence from Governor-General Ronald Michener to James C. Irvine on the death of Senator Irvine, photocopies of three obituary notices, and a brochure on the Senate Chamber showing Senator Irvine's seat.

The fonds consists of a diary and three photocopies of the diary. Most of the entries in the diary were made by Sophia Irvine, with some entries by her grand-daughter Emily Pritchard.

The fonds consists of farm records, legal documents, geneaological information, diaries, photographs, and memorabilia pertaining to the Jellis family farm. The material contains a variety of land deeds and titles, oil leases and indentures, grain Permit Books, bills and receipts for farm equipment, and diary entries relating to the Jellis's agricultural operation which complements the repository's other holdings and will interest anyone involved in agricultural research, particularly in Southwest Manitoba. Six letters between an American and Canadian Jellis cousin during World War I are of particular interest.

The Henry Kalen fonds is a veritable photographic A-Z of Manitoba culture, geography, architecture, and industry with a significant representation of western provinces and Ontario as well.

The Henry Kalen fonds has been organized into 3 categories comprising 28 series. The textual records (MSS 256) consist of reference questions and correspondence, biographical/miscellaneous material, books, and indexes. The photograph collection (PC 219) is comprised of prints of jobs, prints, small prints, postcard collection, postcards, black and white postcard collection, postcard album collection, album prints, slides by subject, slides of old Ontario/Saskatchewan/Montreal, etc., stock slides, slides by chronological order, miscellaneous slides, slides of large projects, largeformat transparenices, negatives, job files, architectural negatives, unnumbered job negative files, photographs of Henry Kalen's "One-Man Show" at the Winnipeg Art Gallery (1966), transparencies, negatives and miscellaneous slides, oversized prints, and oversized transparencies. In total, the photograph collection consists of 113,783 slides, 69,774 negatives, 13,125 transparencies, and 10,584 prints. The tape collection (TC 128) consists of 7 audio-cassettes.

The first accession (A.02-32) consists of research material pertaining to the Gimli Community Research Project. Included are published materials about Gimli and the Interlake (pamphlets, brochures, maps, and clippings), handwritten notes, correspondence, and the draft and final copy of the GCRP report. In addition to the textual material, the collection contains over three hundred photographs which depict life in the Interlake Area.

The second accession (A.03-87) consists of personal correspondence and research material during Robert Klymasz's career as a curator for East European Collections at the Canadian Museum of Civilization in Hull, Quebec, as an instructor of Ukrainian Folklore at the University of Manitoba, and as a contributor to the Ukrainian Catholic Newspaper, Postup (Progress). In addition to textual material, the collection contains personal photographs and audio-recordings (both commercial and non-commercial) pertaining to Ukrainian folklore (primarily Ukrainian-Canadian). The third accession (A.05-52) consists of documentation and research material pertaining to Klymasz's Archival Research Project on Walter Klymkiw.

The fourth accession (A.06-61) consists of correspondence (2002-2006), research material (Koshetz Project, Ukrainian Music), various announcements of Ukrainian Canadian cultural events, collections of post cards/collection cards, and a photographs (PC 170). The fifth accession (A.07-29) consists of correspondence (1995-2007), various cultural events and research projects, Shirley Klymasz's biographical information and art work and 2 family photographs (PC 170). The sixth accession (A.08-36) consists of correspondence, material on various archival research projects including A priest, a maestro, a community: epistolary insights into the music culture of Winnipeg's Ukrainian community, 1936-1944 (2006-2007), Winnipeg Papers on Ukrainian Music (2008), and Nuggets from the past: quotations on the Ukrainian experience in Canada (2007), and photographs from his family archives (PC 170).

The seventh accession (A.09-101) consists of biographical information, Winnipeg Papers on Ukrainian Book Culture manuscript (2009), research material and correspondence, photographs from "Leadership Courses" organized by the Ukrainian National Youth Federation in Lake Winnipeg (1955), and Ukrainian Music Culture papers in electronic format.

The eighth accession (A.11-49) consists of Winnipeg Papers on Ukrainian Arts Culture manuscripts (2010) and on Searching for Kanadiis'ka Rus'" (2011), research material and correspondence, and Ukrainian wedding photographs fro the 1950s taken in Toronto and Manitoba.

The ninth accession (A.14-98) consists of: biographical; correspondence; Winnipeg Papers; Ukrainian organizations & events; miscellaneous research materials; photographs (1930s to 1970s); and electronic memory stick.

The tenth accession (A.16-21) contains documents of biographical interest, selections from Klymasz’s correspondence (including e-mails); articles, reviews and letters submitted by Klymasz and published in scholarly journals and in newspapers, as well as one conference paper; research materials on the poets included in Winnipeg Papers #7, “From the Heart: The Best Anthology of Canadian Poetry in Ukrainian,” compiled by Klymasz for the CUCS at the University of Manitoba, as well as two copies of the anthology; and a selection of concert programs, annual reports, and miscellaneous newspaper and periodical issues collected by Klymasz.

The eleventh accession (A.16-67) contains documents, photographs, audio-visual materials, and artefacts of biographical interest, as well as selections from Klymasz’s correspondence (including e-mails); research materials, primarily newspaper clippings, on the Canadian Museum for Human Rights for Klymasz's conference paper "The Museum as Monument and the Architect as Museum-Maker"; and a selection of miscellaneous newspaper and periodical issues collected by Klymasz

In total, the photograph collection (PC 170) consists of 484 photographs, 219 slides, 188 negatives, and 5 videocassettes. The tape collection consists of 13 audio-cassettes and 7 compact discs. The electronic records collection (EL 20) consists of 3 computer diskettes. 3 compact discs and 1 memory stick.

The fonds consists of one minute book from 1949-1950, including membership lists, correspondence, minutes, and committee rosters.