The records of St Barnabas held at the Diocese Archives include: Canonical Files (1918-2005); Titles (1964); Sacramental Registers (1911-1944); Records of Service (1910-1977); Baptism register (7 Jan 1909 - 13 May 1994); Marriage register (29 Oct 1919 - 23 July 2005); Burial register (22 Feb 1912 - 21 March 2016); Minutes of Annual Meetings (1910-1987); Ledger Book (1919-1954); W.A. Minutes (1919-1961); W.A. Pembina Deanery Minutes (1919-1933); Junior W.A. Minutes (1948-1950); A.C.W. Minute Book (1966); W.A. Financial Records (1919-1948); Financial Ledger (1947-1950); W.A. Ledger Book (1959-1997); Little Helpers Record Book (1942-1956); Guest Book (1966-1967); W.A. Parochial Schedules, Annual Reports; Still images (photographs); Research File.
Collection includes architectural drawings created by Stan Osaka in the course of his career, including his independent career and during the course of his work as a partner at IKOY; reports written by Osaka on space allocation at the University of Manitoba; and records of Osaka’s work history. Copies of drawings from local firms, presumably received in connection to renovation projects Osaka worked on, are also found in this collection. This collection also includes originals of the academic projects of architect Dennis Carter.
Collections include textual, graphic, and MIS records created by de Forest over his career, largely pertaining to his time as a professor in the Faculty of Architecture. Also includes a collection of published materials, including architectural design journals.
Fonds largely pertain to the design career of Grant Marshall, including teaching positions at the University of Manitoba (as well as many teaching slides) and private interior design business. Also features records pertaining to ballet costume design, fashion, and Marshall’s fashion boutique, The Third Step; Marshall’s artwork and exhibitions; primary, secondary, and post-secondary education; and personal records such as family photos and correspondence.
The records include original and reproduced architectural sketches of residential and summer homes in Manitoba and Ontario; sketches include floor plans, elevations, site plans, and perspectives. Sheets present preliminary and proposed plans for future homes, as well as proposed alterations to existing structures. Some information about homes’ electrical wiring and building notes are provided. With the exception of some mild staining and minor tears, the records are in good condition overall.
The fonds consists of the full Indigenous ceremonial regalia worn by Kelly Houle while dancing in powwows and in other ceremony. The regalia includes a blue jingle dress, multi-coloured hair ribbons, leather hide moccasins, a black leather belt, beaded flower earrings, a beaded feather clasp or brooch, and beaded leather tiara that reads "18th International Two-Spirit Princess." In an oral history interview, Houle claimed that she had a vision of dancing in a jingle dress and acquired the regalia shortly thereafter following a consultation with an Elder. She referred to the dress as a "healing dress" in this interview.
Collection consists of 6 photographs documenting scenes of the Northwest in 1885. The first five photographs depict the 95th Battalion of the Manitoba Grenadiers and the landscape and camp at Fort Qu'appelle, Saskatchewan. John Pattison, the father of the original owner of the images, E.J. Pattison, is depicted in at least one of the images. The sixth photograph depicts Major General Frederick Middleton and members of the North-West Field Force meeting with Chief Day Star (Kīsikāwacāhk) and his Plains Cree followers for a pipe-stem ceremony near Quill Lake, Saskatchewan.
Fonds consists of recordings on Betacam and U-Matic cassettes of television commercials advertising the Kern-Hill Furniture Co-op in Winnipeg, MB. The recordings were produced for several television studios in Winnipeg and Portage La Prairie, MB, and Grand Forks, ND, including Global TV, A Channel, and WDAZ-8, and possibly others. The commercials advertise sales and deals at the business, and feature owners Nick Hill and Nick Hill Junior. The individual cuts for each commercial feature an ISCI code, often identified on the labels on the cassettes themselves. The cassettes in the fonds are arranged chronologically.