The fonds consists of Leo Mol’s biographical information, his correspondence, awards and honorary degrees, his documentation regarding art work and the Leo Mol Sculpture Garden, and his exhibitions and tributes.
Photograph collection consists mostly of Leo Mol’s photographs and slides of his sculptures, paintings and drawings.

Fonds contains newspaper clippings, project information, photographs and sketches related to Donahue’s professional work; also contains many personal images, largely as negatives. Digital copies of records are available.

Collection consists of 8 programs:
Choral Symphony – Concert Program – March 5, 1954
“Rose Marie: A Light Opera in Three Acts” – Concert Program – January 30 to February 3, 1951
“Carousel” – Concert Program – [1955?]
“Song of Norway” – Concert Program – [195-?]
“Brigadoon” – Concert Program – 1947
“Finian’s Rainbow” – Concert Program – [ca. 1950]
“Wonderful Town” – Concert Program – 1958
“Girl Crazy” – Concert Program – [1957?]

This collection contains textual records relating to various issues and information on Gay, Lesbian, Bisexual, Transgender, Two-Spirit and Queer history including: Comprehensive Works, Bibliography, Reference; Gay/Lesbian Life, Lifestyles & Concerns; Literature & Language; Visual & Performing Arts; History & Gay/Lesbian Liberation Movement; Behavioral Sciences; Social Sciences; Philosophy & Religion; Physical & Natural Sciences; and AIDS-Related Information. It also includes an extensive moving image and sound collection, including oral histories and episodes of the cable access program "Coming Out."

Reference files accumulated and catalogued by the Winnipeg Gay and Lesbian Resource Centre.

The books, pamphlets and exhibit catalogues were accepted as donations from Mrs. Mol for the intrinsic value of the volumes in relation to religious art or to Ukrainian art, or in relation to Mol’s art, and his thought process towards the making of art. Most of the publications have been integrated into the Chancery in-house library. The 328 still images include many of Mol’s sculpture subjects, living photos of individuals like Pope John Paul II, Pope Paul VI, Metropolitan Michael Bzdel, Cardinal Yosef Slipyj; many photos are of Mol’s completed bronze sculptures; a large number are of his early church decoration in Beausejour, Brandon and Winnipeg; some are of his stained glass work in Winnipeg. Three sketches are of church decoration; one is an unfinished ink on glassine (?) Christ figure; two are white ink on matte board, of apostles; the fourth is pastel on paper, a portrait of Taras Shevchenko. The copies of sketches are of Metropolitan Ilarion and A.Y. Jackson. The postcards are religious by theme, predominantly Catholic, many of art in European heritage repositories. The holy cards include many Christian symbols. The poster is of the Caritas Dinner in Mol’s honour, 2001. The unfinished mosaic of Christ’s face is a conservation risk.

A short memoir written by Eliza Durston about her experiences immigrating to Winnipeg in 1872 and later homesteading in the Turtle Mountains. The text was written by Eliza Durston in 1949 with additional details added by her daughter-in-law Mrs. Rowan Durston in 1971.