The fonds consists of 59 identification cards for clergy working within the Ukrainian Catholic Archeparchy of Winnipeg. There are 59 portrait photographs of the clergy which were used as the photos on the identification cards. There are fifteen pages of textual records consisting of an invoice, work order reports, parish names and addresses, and a check list of clergy who have or have not completed their portrait.
The digitized material from the Ukrainian Catholic Archeparchy of Winnipeg fonds consists of two items: firstly, an article written by Gloria Romaniuk, Archivist for the Ukrainian Catholic Archeparchy of Winnipeg Archives, that was published in Progress Ukrainian Catholic News. The article tells the story of the stone from Lourdes, France, and how it came to be installed in the Cook’s Creek Grotto, in Manitoba. The article is illustrated by archival and recent photos, including photos of two members of St. Josaphat Council # 4138, Knights of Columbus, who were instrumental in obtaining the stone from Lourdes.
The Metropolitan Maxim Hermaniuk fonds is comprised of papers from all phases of his life, study, and vocation in Europe and in Canada. The textual material includes extensive studies of local, national, and international importance in wide-ranging areas of social interest; official documents of the pre-Vatican and Vatican II Councils; correspondence from the private to the official level throughout his lifetime; material tracing preparation for the Papal visit to Canada in 1984, and the Millennium of Christianity in Ukraine celebrated in 1988; and numerous publications either written by Metropolitan Hermaniuk, or of interest to him. The fonds is comprised of numerous reports, appeals, media articles, and documents both preliminary and officially created in the course of decision-making, in the course of guiding, supporting, teaching, and inspiring clergy as well as lay people in the Church. As the spiritual and administrative head of the Ukrainian Catholic Church in Canada and an influential participant in the councils of Vatican II, Metropolitan Hermaniuk lived through a time of change at the highest levels, illustrated by his papers. Spanning much of the twentieth century, the papers at the same time extraordinarily document life itself, especially during the last half of that century
The books, pamphlets and exhibit catalogues were accepted as donations from Mrs. Mol for the intrinsic value of the volumes in relation to religious art or to Ukrainian art, or in relation to Mol’s art, and his thought process towards the making of art. Most of the publications have been integrated into the Chancery in-house library. The 328 still images include many of Mol’s sculpture subjects, living photos of individuals like Pope John Paul II, Pope Paul VI, Metropolitan Michael Bzdel, Cardinal Yosef Slipyj; many photos are of Mol’s completed bronze sculptures; a large number are of his early church decoration in Beausejour, Brandon and Winnipeg; some are of his stained glass work in Winnipeg. Three sketches are of church decoration; one is an unfinished ink on glassine (?) Christ figure; two are white ink on matte board, of apostles; the fourth is pastel on paper, a portrait of Taras Shevchenko. The copies of sketches are of Metropolitan Ilarion and A.Y. Jackson. The postcards are religious by theme, predominantly Catholic, many of art in European heritage repositories. The holy cards include many Christian symbols. The poster is of the Caritas Dinner in Mol’s honour, 2001. The unfinished mosaic of Christ’s face is a conservation risk.